The Journal of Baroque Studies Number 2 Volume 3


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This edition of the academic journal, edited by Professor Frans Ciappara and produced and illustrated by Dr Hermann Bonnici, contains twelve academic contributions and a section on book reviews.

The articles in this edition include:

  • La Fondazione dei Carmelitani Scalzi a Malta -Un Primo Approfondimento alla Luce di Alcuni Documenti Archivistici by Dr Axel Alt of the Pontificia Facoltà Teresianum in Rome
  • Riconsiderando Medoro Angelino (Roma, 1560 ca. – Siviglia, 1633): le tre opere di Santiago del Cile by Dr Francesco De Nicolo of the Universidad de Granada
  • Marks of Modernity: The Counter-Reformation as a Response to the Emerging Modern Age by Dr Amanda M. Dutton
  • Count Georg Albrecht I of Erbach and Malta in 1617 – a story of facts, half-truth and missing information by Dr Thomas Freller of the University of Applied Sciences in  Aalen, Germany
  • Realism and Empathy: The Ta’ Ġieżu Crucifix as a Visual Manifestation of Post-Tridentine Culture by Christian Attard
  • Baroque Music in Catholic Churches by Maestro Abraham D’Amato; The unique Late Baroque Church of Santa Maria dell’Itria in Ragusa, Sicily by Professor Denis De Lucca, director of the International Institute for Baroque Studies at the University of Malta
  • The Development of the Iconography of the Holy Week: Processional Statues in Malta and Gozo by Joseph F. Grima; Brevi Note Storiche su Innocenzo XII by Professor Nicola Montesano, director of the Istituto Universitario SSML of Basilicata;
  • Re-evaluating Cupid and Pan: The Story of Eros and the Satyr in the Farnese Gallery by Dr Esthy Kravitz-Lurie of the Ben-Gurion University of the Negev, Israel who is responsible for a course on Mythology, Love and Poetry in the Paintings of the Baroque at the  Department of the Arts at the above-mentioned university and is also a member of Renaissance Society of America (RSA)
  • The Thing of the World I Love Most’- Samuel Pepys, the Diary and Domestic Music-Making in Restoration England by PhD candidate Charmaine Falzon and a contribution about The antithesis of Baroque – the vernacular architecture of the Mediterranean islands by Professor Borut Juvanec of the Institute of Vernacular Architecture in Ljubljana, Slovenia.

Additional information

Weight 540 g
Dimensions 24 × 16 cm
Language English, Italian
Year of publication
Pages 256

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