I lived with my grandparents since when I was ten years old when mum and dad had divorced, which makes it more than twelve years now. I loved both grandma and grandpa immensely. They were everything to me throughout my childhood, youth and adult years. But I was especially very close to grandpa in so many ways. We spent so much time chatting and laughing together in the small garden at the back of our house.
“What’s up with you?” grandma used to shout at us, from the kitchen window when she saw us in one of our jolly moods. “It’s grandpa telling me a funny story grandma” I used to reply, without losing concentration to what he was saying. But both of them were good honest-to-God characters who instilled in me the importance of love, of honesty and of religion.
My grandfather was an artist, a painter to be more exact. He was considered to be a fine oil painter by many in our community. He frequented the artistic circle of friends and had known and mingled with some of the famous painters of his day.
Our house, small as it was, was full of his paintings. They covered an entire wall and visitors often mistook our home for an art gallery.
Painting was not only my grandpa’s hobby; it was his love and obsession. It helped him express his feelings, his love of nature and his different moods. How I loved to stay by his side while he used the brushes after dipping them in the paints on his slate.
“What are you going to do when you grow up?” he asked me one day. “I’d like to take medicine, become a medical practitioner but …………?” I stopped in mid-sentence, while conjuring all the difficulties that might lie ahead. “There is always a ‘but’ dear. Life is full of buts. But you must have the determination to surmount them” said my grandpa, obviously speaking with the experience of his years.
But our house was too small for the three of us and for his many paintings. He was always saying that now, that he was getting on in years, we have to move to some other larger place where he could enjoy life more and he could indulge in his favourite art.
I was fifteen years old when my grandparents finally decided to move to the little town of San Giminiano, in the beautiful Tuscan hills of Italy. Apparently grandad had an old friend living in that area, another painter no doubt, who encouraged him to move there where several foreign painters were located.
Both my grandparents had always wished to retire in the sun and my grandfather enthusiastically anticipated painting the lovely hilly countryside so famous in Italy and all over the world. “It would inspire my creativity and imagination!” he told me.
All the arrangements for our transfer and of the furniture and belongings were completed in a short time. As our furniture was being packed, we watched grandpa’s paintings being taken down and carefully placed into crates, which were then nailed down and stored in the basement, ready for the shipping.
As one particular painting, which my grandfather was still working on, was being put into the crate, grandpa said to me – “I know that you like this painting very much Carol. I will therefore dedicate it especially to you. It will be yours!”
It’s true. I liked this unfinished painting. It showed the portrait of a craggy old man, weather-beaten and wrinkled but a charming face all the same. Although still unfinished, it looked to be a beautiful painting. I loved it and anxiously awaited grandpa to complete it and hang it in my room.
“The first thing I will do when we get to Italy is finish this painting. Before I start another one” my grandfather told me, as we looked at it being patiently crated by the removal men.
But a week before our departure, tragedy struck. He was involved in a horrific road accident and lay in a coma at the local hospital. Grandma and I were at his bedside every day and as often as we could. He was all we had.
I did not believe, as the doctors assured us, that he was unconscious, not knowing what’s happening around him. I strongly thought that although he could not move a muscle, or murmur a sound, he was still conscious of us and what we were saying. I was firm in my belief and I spoke to him as I used to do in the garden at our home. I also mentioned his paintings, as I knew that he would love that.
I prayed fervently to God that he would live. My faith was strong that the good Lord would hear my prayers. However he died six months after the accident and I was bitterly disappointed that my faith had let me down.
It was some months after his death that grandma made the decision that, in the circumstances, we should not relocate to Italy but should remain in England where we were born and bred. After this decision was taken, the cases of all our belongings were brought back from the basement. They were unpacked and silently restored to their old places in our house, where they had been before grandpa had decided to transfer our family to the Tuscan hills.
It was after some time that grandma engaged some experienced workmen to open gently the crates where grandpa’s paintings were packed. We both stood by them supervising the unpacking to ensure that no damage whatsoever was done to any of the paintings.
“What are you going to do with them?” I asked grandma as we stood watching the men remove the nails, open the tops of the crates and gently uplift the paintings one by one. “We’ll hang some in the house certainly, they will then always remind us of grandpa” she said “but I am afraid that there is no room for the others. We’ll have to donate them to the art gallery where the curators will look after them.”
Then grandpa’s unfinished painting was removed from the crate and the workmen asked grandma – “Where shall we put this painting Madame?” We both looked at it at the same time and were utterly astounded and stunned speechless.
The painting, which grandpa was to finish in Italy, was now completed and, what’s more, at the bottom right hand side of the canvas, was grandpa’s distinctive signature and, in small words – ‘To my lovely Carol’.
“How was that possible?” was the only thought that passed through our minds at that surprising moment.
We had always wished to spend Christmas in some foreign land in order to see how this event is celebrated in other countries. Ideally this place had to be similar to the ones that we saw on Christmas cards; that is with wooden log cabins, fire-places and much much snow.
There is a good choice of hotels wherein to spend this holiday: starting from Santa’s Kieppi which is built in the traditional Finnish style, and moving on to the modern style Santa’s Holiday Club which includes an indoor pool with waves and chutes. We chose to stay in Hotel Kieppi because we considered it to be more authentic. Its owner, Matti Välitalo, informed us that in Finnish, the word ‘kieppi’ referred to the burrow where animals hibernated during winter, and surely this place was warm and snug contrasting to the icy coldness outside.
However surely, the best moment of this holiday for each visitor, whether adult or young was the special visit to the village of Father Christmas in the Arctic Circle. Here, with activities ranging from ice fishing, toboganning, reindeer sleigh rides, snow hockey, skidoo rides, and an igloo bar, who can wish for more? Yet there was more! In fact, after providing us with the required instructions, we were offered to drive a pack of huskies in the snow. My husband controlled the huskies and my daughter and I huddled up in the sleigh wrapped up in reindeer skin. What a delight!
We spent only four days in Santa’s Lapland but the surrealism of the place mystified the aspect of time and we felt as if we belonged there. Surely no other Christmas will ever match this one.
Minn
Għalhekk dak il-ħin stess Joseph qatagħha li jiġi Malta u jipproponi ż-żwieġ lil Teresa. Jekk tgħidlu le, kien deċiż jerġa’ lura lejn l-Awstralja għal dejjem. Fittex l-għajnuna u immobilizza xi qraba u ġirien tagħha biex jgħaddulu kelma ma’ ommha. Qalilhom li hu kien għadu interessat f’Teresa.
Jiftakru li l-karozzi għat-tieġ krewhom mingħand tal-Coronation Bar. Bħala sala, krew waħda f’Ħaż-Żebbuġ fl-istess triq fejn kienet toqgħod Teresa, u kellhom ukoll orkestra għad-daqq u żfin. Kien iż-żmien li kienet għadha qed tidħol f’Malta l-użanza tal-wedding cake u, għax kellhom wieħed, kienet qisha xi ħaġa kbira għall-mistednin.
F’għeluq il-50 sena miż-żwieġ tagħhom, uliedhom li għadhom Malta għamlulhom sorpriża. Għat-8 ta’ Frar 2009, li nzerta l-Ħadd u għalhekk eżatt bħal fit-tieġ tagħhom, organizzaw għalihom il-quddiesa tal-11 ta’ filgħodu fil-knisja ta’ San Filep, fejn kienu żżewġu. F’dak il-ħin kien hemm ħafna nies, u xħin Joseph u Teresa daħlu l-knisja sabu għalihom żewġ siġġijiet bil-bellus aħmar armati fin-nofs quddiem l-artal, bħal ta’ żewġ għarajjes friski. Għall-ewwel Teresa tgħidx kemm stħat, iżda s-sens ċajtier ta’ Joseph għamlilha l-kuraġġ u kollox mexa kif suppost. Dun Alfred Agius qaddes il-quddiesa b’radd ta’ ħajr għal kull m’ghamel Alla għalihom tul dawn is-snin kollha, u għamlilhom diskors tal-omelija li apprezzaw ħafna. Wara, il-familja marret flimkien għal ikla f’ristorant.
minn Charles B. Spiteri
Thomas, ta’ 48 sena qal li x-xebh tant hu qawwi li spiċċa biex għamel kuntatt mal-produttur tal-ġugarelli Daniż u qallu li spiċċa bi sħabu kollha jinkuh fuq ix-xogħol.
Minn
Carmen tirrakkonta li ma’ ommha ma tantx kienet iġġibha żewġ, iżda missierha kien taz-zokkor, jifhimha ferm u jipprova jikkuntentaha. Għalhekk bagħtet ittra lil Joe, tgħidlu b’dak kollu li xtaqet ommha.
Fis-sala kellhom ukoll grupp orkestrali magħmul minn ħames mużiċisti. Kien jismu The Gatt 5, immexxi minn Charles ‘City’ Gatt u l-kantant ma kien ħadd għajr Anġlu Fenech, ħabib tal-familja Camilleri u aktar tard Segretarju Ġenerali tal-GWU.
Huma jaqblu li fi żmien it-tfulija tagħhom, huma kienu jilagħbu bix-xejn. Joe isostni li l-footballers kollha tal-Mosta Football Club kollha telgħu mill-Oratorju tal-lokal. Illum, biex tifel ċkejken jattendi Nursery, il-ġenituri tiegħu jridu jħallsu. Jemmnu wkoll li fi żmienhom, iż-żgħażagħ kienu lkoll ferħana. Illum, lit-tfal tasal tagħtihom kulma jridu u xorta qishom ma jieħdu gost b’xejn. Carmen issotni li minkejja li llum trabbi l-istess, it-tfal jitilgħu b’mod differenti. Temmen li l-ħajja tbiddlet u ċ-ċirkustanzi tal-ħajja wasslu biex biddlu l-ħajja tat-tfal.
minn Charles B. Spiteri
Fuq dan l-imbierek ‘Jack the Ripper’ inkitbu aktar minn 300 ktieb u tużżani ta’ filmati u programmi televiżivi. Bejniethom semmew aktar minn mitt raġel differenti, li seta’ kien il-qattiel u dan għamluh bl-inqas xhieda possibbli. Skont ma dejjem ingħad, il-qattiel qatel u ħanxar gerżumt ħames nisa u wara qalagħhom imsarinhom. Dejjem kien rappurtat li l-qtil sar fit-toroq ta’ Whitechapel, li kienu mixgħulin b’lampi tal-gass.
Fil-ħajja ta’ ġiri u ġenn, infiq u tberbiq, titkaxkar iżjed biex tixtri u jkollok milli tagħmel inti.
Minn
Damu għarajjes erba’ snin peress li omm Marlene ma ridithiex tiżżewweġ żgħira. Allura stenniet sa ma kellha 21 sena u għamlu d-data. Darba, b’kumbinazzjoni, waqt li Marlene kienet qed tqalleb ġurnal, lemħet avviż ta’ post fil-Furjana, għall-kiri, faċċata tal-Port il-Kbir. Qalet bih lil Joe u mill-ewwel kitbet fl-indirizz li kien hemm.
Iż-żwieġ tagħhom sar il-ġimgħa filgħodu, tas-6 ta’ Jannar, 1967, jum l-Epifanija, li kienet festa kmandata. Sar fil-knisja arċipretali San Publiju, l-Furjana u l-festin kien fil-Lukanda Phoenicia. Kien daqqilhom il-grupp ta’ Vinnie Vella u ibnu Vinnie Jr. kien kantalhom.