A war-time Romance

Joe Lanzon

In the spring of 1942 Rita was helping her father Ganni run his bar in Valletta. She was off from school that day and enjoyed the hustle, bustle and excitement of the many British servicemen – sailors, soldiers and airmen stationed on the Island – who frequented her father’s bar when they were not on duty.

When war had broken out in 1939, Ganni had volunteered for the Army and was posted with the Royal Malta Artillery. After a brief training period, he was stationed at Fort St. Elmo, not far from his own house in the City, manning the Bofor guns facing the Grand Harbour. This is from where the German air-raiders usually came and where enemy naval vessels would try to penetrate the harbour defences.

Rita and her father were born and bred in the City built by the Knights of St. John in 1571 on the orders of Grand Master Jean De la Valette following the Great Siege of 1565 when the Turkish armada of 153 galleys with 39,500 men assaulted the Island but were repulsed.

Ganni and his teenage daughter loved Valletta and, even against the advice of the authorities, chose to remain within the city walls. Most of the other residents preferred to evacuate to towns and villages in the north of the Island. These localities were far from the harbour and the dockyard which were often the targets of the enemy.  Holes dug in the high bastion walls offered safety to the stubborn citizens during the air raids.

Rita was an intelligent child. Her teacher, who also hailed from the capital, had told Ganni several times that his daughter was an intelligent person, has an exceptional memory and the potential to achieve something in life. She advised him to encourage her in her studies.

You could always find her with a book and pencil during the long hours spent in the shelter awaiting the ‘all clear’ siren to sound. But her father also insisted that it was equally important to have a character built on love, values and integrity. He used to tell her – “The best and most beautiful things in the world cannot be seen or even touched. They must be felt within the heart!” 

During her hours at the bar, Rita noticed a young airman looking at her while he drank his beer alone in the corner. He seemed to be a shy sort of person as he did not mix much with the other servicemen. One day she went to his table and asked – “Hello!  How are you? If you need anything just call me OK?” He smiled at her. “Thanks Rita”, he replied. “You remind me of my sister in Harrogate, she’s the same age as you and has the same sparkling eyes.”

Rita and Jack Andrews became friends. He told her about his family, about his pals with whom he flew to combat the German bombers. They began to look forward towards seeing each other during which both would pour out their thoughts about life and how they see it. They were two of a kind.

One evening when the bar was full of servicemen and Rita was near Jack, the singer on the little make-shift stage was singing Anne Shelton’s war song – ‘Silver Wings in the Moonlight’. She and Jack often sang it together when they were alone. It was a truly emotional song. 

A thousand voices joined the singer, as her melodious plea to the Spitfire aircraft to take care of her lover, echoed around the bar.

                                “Silver Wings in the moonlight, 

                                   Flying high up above. 

                                 While I‘m patiently waiting,

                                    Please take care of my love. 

                                 If you love him like I do,

                                   Take him safely, and then

                                 Silver Wings in the moonlight,

                                   Bring him homeward again.”

A few days later Jack gave her a small wrapped gift. She opened it anxiously. It was a chain to which was attached a pendant – a small shining silver spitfire. He undid the clasp and hung it around Rita’s neck. “It’s lovely darling,” she said. “I’ll always keep it close to my heart to remind me of you.” 

He held her in his arms and kissed her. “Life is short Rita,” he whispered. “We have to grasp it with both hands and make the best of it”.  He showed her photos of his mother and sister, described the lovely English countryside of North Yorkshire and the spa town of Harrogate, his birthplace, which is famous for its award-winning flowers.  He also told her of his dreams and his expectations from life.

Rita took him to interesting places around the little island – to Mosta to see the famous Rotunda church; to Rabat to roam at Chadwick Lakes, abounding with frogs and tadpoles; to Sliema to walk along the busy strand and then take the ferry back to Valletta.

On the afternoon of the 7th of April 1942, the shrill sound of the air-raid siren warned the citizens that an aerial attack was on the way. Immediately, the people remaining in Valletta took to their nearest shelters within the bastions.

Rita clutched her books and found a corner place where she could read and study. All around her the shelter was alive with movement. Most people were saying the rosary, praying for their safekeeping. Others were talking and shouting, while children ran about and played games. Here, in this rock-hewn place, it was a different world.

When the ‘all clear’ sounded in the evening, they all came out of the shelter wanting to smell the fresh air of that April evening. But a terrible scene awaited them.  There was devastation everywhere.

In upper Kingsway, the majestic building of the Royal Opera House, built on the designs of the renowned English architect Edward M. Barry in 1866, was in ruins. It had received a direct hit from the German bombers and was totally destroyed. Heaps of broken stone and twisted iron girders were strewn about. All that remained of that beautiful building were the terrace and parts of the columns.

The Opera House was considered to be one of the most beautiful and iconic buildings in Valletta and had established a famous reputation all over Europe. It gave an invaluable boost to the artistic and cultural lives of all Maltese. It was the launching pad for many singers and conductors who later became world famous.

On that fateful day Ganni, with his RMA colleagues, was manning the guns at Fort St. Elmo, firing furiously at the German invaders as they dropped their bombs over the city. Also on that day, Jack Andrews was on his Spitfire fighter plane which battled bravely, though heavily outnumbered, the German fighters escorting the deadly enemy bombers.

Ganni had previously played an important part as a gunner in two separate episodes from this same post at Fort St. Elmo.  In January of 1941 when hordes of German bombers and fighter bombers attached ferociously the aircraft carrier ‘Illustrious’ which had sought shelter beneath the bastion walls of the Grand Harbour, and in July of the same year, when a number of Italian E-Boats attacked the defense lines of the harbour entrance, destroying the breakwater structure.

During the numerous air-raids, when Rita was deep in the shelters, Ganni was exposed to enemy fire at St. Elmo and Jack was up in his Spitfire, she would clutch the pendent tightly in her hands and pray. “Please God; please keep my father and my Jack safe!

The years passed. The war had long ended. The people started to build their shattered lives again. The destroyed buildings started to rise again, the suffering and heartache of the population was slowly being forgotten, but the thousands casualties of the war – civilians and servicemen – remained buried below ground.

Rita walked slowly along the much trodden gravel path, holding little Johnnie by the hand. The sun’s rays on her pendant made the silver spitfire sparkle on her neck. She looked on both sides of her. There were beautiful marble monuments all the way. And it was quiet, so quiet that the sound of her footsteps and those of Johnnie seemed as if they were trespassing the sacred ground.

Up on the hill, the gothic church looked down on the vast silent population stretching many generations. She lived in England with her Jack now and she was a teacher at St. Alban’s in Harrogate. When Rita came to the place she was seeking – her dear father’s resting place – she stopped, said a prayer and placed a posy of flowers on his grave, remembering his wise words of many years ago – “The best and most beautiful things in the world cannot be seen or even touched. They must be felt within the heart!”

It-‘Terminator’ Russu

Charles B. Spiteri

BDL Books - Laqtiet

Suldat Russu jidher li qarraq bil-mewt, wara li filmat tiegħu deher fil-pubbliku, b’ħabib jaqlagħlu l-bullet li kellu f’moħħu, bi tnalja. Is-suldat, li tlaqqam ‘it-Terminator Russu’ nqabad fl-isparar bejn il-militanti Russi u Ċeċeni. Fil-vidjo, is-suldat jidher bla biża’ u kalm għall-aħħar fil-proċeduri li sarulu.

BDL Books - Laqtiet

Il-bullet daħlitlu bejn għajnejh u ħabibu ma kellux triq oħra għajr li jaqlagħhielu bi tnalja għax ma kellhom ebda tagħmir mediku. Din l-operazzjoni ħadet ftit minuti biex tlestiet, għax ma kienx faċli tinqala’. Għalkemm il-każ seħħ fis-sena 2000, kien issa li l-vidjo kiseb il-popolarità, wara li xi ħadd tefgħu fuq l-internet.

BDL Books - Laqtiet

Minħabba l-kuraġġ, il-kalma u l-mod xejn emozzjonali li wera s-suldat, tqabbel ma’ Arnold Swhwarzenegger, fil-parti tiegħu ta’ The Terminator.

Meqjus

Joseph Henry Abela, Qassis

Min jaqta’ mingħajr ma jqis, minn mitt jarda ma joħorġx qmis u mit xejn qatlu ħmar!

Il-qies xieraq f’kollox, kliem, sewqan, irqad, infiq, ħruġ, qari, ħbieb. Meta għax m’intix nieqes ma żżommx riedni jisgħobbik. Waqfien ta’ karozzi kif ġie ġie, twieġeb it-telefon tgħajjat, taqtagħha qabel tisma’. Kollox iġib it-taħwid u t-taqlib.

Ara l-pittura u l-iskultura u l-kitba: jidħol il-qies. It-tul jgħejja, it-toqol jimbotta, u t-traskuraġni ddejjaq. Bnedmin li għaddew minn xi xkiel u naraw, bil-qies ħarġu bil-ġieħ. Qies ma jfissirx tibqa’ lura jew tiskot jew taħrab.

Ifisser li skont l-ambjent tkejjel x’inhu l-aħjar. Tkun taf il-ħolm lil min tgħidu. Tkun taf lil min titlob l-għajnuna, u min iwiegħdek u ma jasalx. Il-qies jgħinek ma titfixkilx u qalbek ma tinqasamx.

Il-Qattusa għaġġelija frieħ għomja tagħmel.

Hekk trid tkun?

Karfusu

KARFUSU   Wieħed mill-ismijiet mogħtija lix-xitan. Dan hu wkoll l-isem ta’ logħba tat-tfal. F’din il-logħba jintgħażlu tlitt itfal. Tifel jew tifla j/tagħmilha ta’ Ġesù, tifel jew tifla oħra j/tagħmilha tal-anġlu u tifel ieħor jew tifla oħra j/tagħmilha ta’ Karfusu, jiġifieri tax-xitan. Dik il-persuna li tagħmilha ta’ Ġesù, b’vuċi baxxa biex ma jisimgħuhiex ‘l-anġlu’ jew ‘Karfusu’, tagħti isem ta’ kulur lil kull wieħed u waħda mit-tfal li jkun hemm madwarha. Imbagħad jersqu lejha l-anġlu u Karfusu u jsaqsuha x’tip ta’ kuluri hi tat lit-tfal. Fil-fatt din il-mistoqsija jsaqsuhielha bit-Taljan: ‘Che colore?’ L-anġlu u Karfusu jibdew jissuġġerulha kulur wieħed wara l-ieħor, kif imisshom skont it-tokk. Kull darba li ż-żewġ karattri jaqtgħu l-kulur tat-tfal, dawn it-tfal ikollhom imorru ħdejn dak li jkun qata’ l-kuluri. Fl-aħħar jingħaddu kemm-il tifel jew tifla hemm mal-‘anġlu’ u ma’ ‘Karfusu’, u jirbaħ dak li jkun qata’ l-akbar numru ta’ kuluri u għaldaqstant ġabar l-aktar tfal miegħu. Sors prinċipali: Logħob, Taqbil u Ġugarelli ta’ Guido Lanfranco, Wise Owl Publications, p. 35.

Nies fl-gherien fil-Gran Britannja

Bilqiegħda f’għar, dan ir-raġel mil-Lvant tal-Ewropa, hu wieħed mill-bosta li qed jiġġiegħlu jmorru taħt l-art biex isibu kenn.

L-Estonjan, jidher fl-għerien qrib Stockport, fejn numru ieħor ta’ nies kienu rappurtati li marru joqogħdu, u ħallew warajhom ħerba bil-ħmieġ u l-affarijiet li ħadu, biex ikunu jistgħu jorqdu.
Fl-għar, jorqdu sa erbgħa min-nies kull darba. Hu għar sigriet, mifrux fuq preċipizzju ta’ 20 pied, fuq ix-Xmara Mersey.

Il-qagħda ta’ rġiel u nisa li qed ifittxu kenn fl-għerien, bħal dan fi Stockport, qed jinkwieta lill-pubbliku, peress li ċ-ċifri juru li n-nies bla dar qed ikomplu jiżdiedu minħabba l-qagħda ekonomika ħażina fil-pajjiż. Tul il-pajjiż, dawn l-istess nies bla saqaf fuq rashom żdied b’sitta fil-mija fl-aħħar sena u qabeż l-34 fil-mija meta mqabbel ma’ tliet snin ilu.

F’xi nħawi, il-formazzjonjijiet tal-għerien jipprovdu kenn li hu żgur u xott – u għalhekk iħajjar lil dak li jkun imur jgħix f’kundizzjonijiet xejn umani għaż-żminijiet tal-lum. Jonathan Billings, maniġer ta’ organizzazzjoni karitattiva qal li numru ta’ nies li qed ifittxu appoġġ, fosthom l-immigranti mil-Lvant tal-Ewropa, aktar minn irdoppja fl-aħħar tliet snin.

Ħafna minn dawk li qed ifittxu l-għajnuna huma nies mill-klassi medja, li tilfu x-xogħol tagħhom u tħallew mingħajr ebda dħul finanzjarju. Hu żied jgħid li meta nies hekk jitilfu x-xogħol, tant jistħu li jmorru jfittxu postijiet perikolużi biex joqogħdu fihom. Żied li jaf b’nies li spiċċaw waqgħu fix-xmara waqt li kienu reqdin, waqt li kien hemm oħrajn li mietu maħruqa, wara li xi tfal niżlu ħdejhom u taw in-nar lill-friex tagħhom.

The Olympic Runner

Duncan, now 77 years old, was in hospital desperately fighting for his life. His breathing was becoming weak and erratic. He was slowly losing his fighting spirit. 

The pretty young nurse by his side was whispering encouragements and willing him to continue to fight this important battle. She took his wrinkled hand in hers and whispered softly in his ear – “Don’t give up Duncan. I’m here with you. Let’s fight this together!

He heard her and, while slowly opening his eyes, he recalled that many, many years ago a man had also told him these same encouraging words when he was in another difficult situation. Many, many years ago ………………….

At the age of 20 he was representing Britain in the Olympic Games. It was one of the proudest moments of his career. Duncan Foster was considered by many as the favourite to win the 400 metre sprint. He had trained very hard for the event as it was his dream to one day win the gold medal for his country. 

Training was very hard. He knew that things don’t always work out the way you plan them, nor the way you would like them to be. However sometimes he was on the brink of losing heart. Yet he did not give up. He wanted to finish what he had started. He finally made it as Britain’s No. 1 hope for the gold medal in this sprint race. On that fateful day, he lined up against the best sprinters from many countries across the world. But he was confident that he could beat them all. 

As the Umpire’s starting shot rang out, he was out of the blocks as fast as an arrow. For over half the distance he held the lead in front of all the other big-named sprinters. He felt like he was galloping along the inner track like a fast unstoppable train. He was on course to win the race. 

Then suddenly he fell down in severe pain. His hands felt his right foot. He had torn a hamstring. But he was not going to give up. He wanted to finish what he had started. He raised himself up and hobbled to continue the race. Suddenly a man broke out from the crowd, escaped the security and came to Duncan’s side. It was his father who could not stand and watch while his son was down. “Don’t give up son. I’m here with you. Let’s finish this together!

The anxious father and the injured son continued slowly together. But shortly before the finishing line, Duncan’s father let him continue to finish the race alone. Hobbling and in pain, unaided to the finishing line, Duncan breasted the tape and immediately fell to the ground. A crowd of 65,000 people gave him a standing ovation. It was a sight for sore eyes. He did not win the race, but he had finished it. 

The identical words of the young nurse now in hospital by his side and of his long-dead father at the Olympic stadium, made him alert to the present situation. He would not let them down. He would not give up. He would struggle with all the strength that God had given him to overcome his illness. 

Duncan Foster, with the help of his nurse and doctors, recovered. Some days later he went home. He died five years later, serenely of old age. 

Karrakka

KARRAKKA   Dwar il-paragrafu li jidher f’Bejn Kliem u Storja, fejn hi deskritta l-karrakka tal-Ordni, u l-analoġija ma’ xi karozza antika, hi ħaġa stramba li Mikiel Anton Vassalli ma jagħti l-ebda referenza għall-karrakki tal-Ordni ta’ San Ġwann. Hu jiddeskrivi l-karrakka bħala dak il-bastiment li xogħlu kien li jħammel qiegħ il-baħar. Minflok, Vassalli jgħid li din kienet kelma li tirreferi għal dik il-qoxra tal-baħar li kienet tnaddaf il-qiegħ tal-baħar mill-ħama (stromento con cui si purgano i porti. Donna grossa e grassa). Din tal-aħħar hi metafora li tikkorrispondi mal-kliem dispreġġattiv li jingħad meta xi ħadd jiddeskrivi xi mara qawwija.

minn Biex il-Kliem ikun Sew

Karettun tal-Bolrejs

altKARETTUN TAL-BOLREJS   Dan kien ikun tista’ tgħid meqjus bħala l-ġugarell tal-avventuri tat-tfal. Kien ikun magħmul minn injama, x’aktarx tavla żgħira ta’ madwar 40 ċm x 30 ċm, ċatta imma soda, li tkun tiflaħ tifel li joqgħod bilqiegħda fuqha. Minn taħtha jgħaddu żewġ injamiet bħal kurrenti kull naħa tat-truf fil-wisa’ biex mat-truf tagħhom jintrabtu l-bolrejs biex dawn jintużaw bħala roti żgħar li jkunu b’saħħithom. Imbagħad kienet titwaħħal, minn taħt din it-tavla jew twavel, injama żgħira u dejqa fin-nofs minn taħt, u bi skorfina tifforma maqbad li jiċċaqlaq u b’hekk idur skont id-direzzjoni kif jinġibed mill-ħabel irqiq jew lenza, kif ikun hemm bżonn, minn dak li jirkeb il-karettun. Ir-roti ta’ dan il-karettun kienu dejjem ikunu tal-bolrejs (ball bearing races). Dawn il-ball races kienu jkunu meħuda minn xi spare parts ta’ xi ger tal-karozza jew tal-ajruplani li jkunu ġew skrappjati.alt Dawn x’aktarx kienu jinxtraw mingħand xi regettier tal-iskrapp. Bi tlieta jew b’erbgħa minn dawn ir-roti tal-ball bearing imwaħħlin waħda ma’ kull tarf tal-kurrenti, u ġieli oħra fin-nofs taħt il-maqbad forma ta’ salib, dawn il-karettuni kont toqgħod bilqiegħeda fuqhom u tiġri fit-toroq, naturalment fejn it-triq tkun lixxa, u l-aħjar fejn it-triq tagħti għan-niżla. Dan il-karettun żgħir kien ipaxxi lit-tfal għax kienu qishom qegħdin isuqu xi karozza ta’ veru. Ir-roti tal-ball races iħokku mal-art kienu jagħmlu ħoss tremend, u minħabba f’hekk malajr kont tara xi ġirien ħerġin għal dawn it-tfal biex ifittxu jmorru band’oħra. (Informazzjoni miġbura kemm mill-esperjenza tal-awtur innifsu kif ukoll minn oħrajn li kitbu fuq Facebook, eż. Guido Michael Tabone u Lawrence Fenech.)

Aqwa mis-Samaritan it-Tajjeb!

Charles B. Spiteri

BDL Books - Laqtiet

Din hi ġrajja li spiss konna naqraw fil-leġġendi. Iżda seħħet tabilħaqq.

Neguzjant Ċiniż li hu wkoll miljunarju, mar b’bulldozer fil-post fejn trabba u waqqa’ l-għarajjex tal-injam u qala’ t-toroq kollha tajn li sab. Dan ma għamlux b’xi azzjoni ħażina. Anzi. Xiong Shuihua bena djar lussużi u tahom lin-nies li kienu joqogħdu hemm. Hu twieled fil-villaġġ Xiongkeng, fil-belt ta’ Xinyu, fin-naħa t’isfel taċ-Ċina u dejjem jiftakar kif ir-residenti kienu jindukraw u jgħinu lill-familja tiegħu meta hu kien għadu żgħir.

Għalhekk, meta ta’ 54 sena spiċċa jagħmel il-miljuni fl-industrija tal-azzar, iddeċieda li jpatti għall-pjaċiri… u bla ħlas. Qatagħha li jmur lura fil-villaġġ fejn trabba u u jagħti dar b’xejn, lil kull min kien joqgħod hemm.

Ħames snin ilu, il-villaġġ qisu nqered u ħafna nies kienu jgħixu fi djar bażiċi. Iżda issa, dan ġie mibdul u 72 familja jinsabu ferħana, jgħixu f’appartamenti lussużi. Fl-istess ħin, 18-il familja li għenu lin-neguzjant, ingħataw villa kull waħda, fil proġett totali li sewa qrib l-£4 miljun.

Wara li mar joqgħod hemm, hu wiegħed ukoll tliet ikliet kuljum lir-residenti xjuħ u nies li qajla kienu jaqilgħu flus, u dan biex jassigura ruħu li jistgħu jgħixu ħajja deċenti. Dan il-multi miljunarju l-ewwel beda jaħdem fl-industrija tal-bini u wara daħal fil-kummerċ tal-azzar.

Hu qal: “Qlajt flus aktar milli kelli bżonn u ma ridtx ninsa l-għeruq tiegħi. Jien dejjem ħallast id-djun tiegħi u issa ridt nara li n-nies li għenu lili meta kont żgħir u lil familti, jitħallsu lura huma wkoll.”

Qiong Chu, ta’ 75 sena qal: “Jien niftakar lill-ġenituri tiegħu. Kellhom qalb tad-deheb u dejjem jaħsbu fl-oħrajn. Hi ħaġa sabiħa ħafna li binhom wiret din il-ġenerożità.”

Żjara

Joseph Henry Abela, Qassis

Għandu mnejn għadha magħna, jista’ jkun li telqet, aktarx moħħha mar, jew tiddeffes f’kollox u tidħol fejn ma jesagħhiex. Hi min hi OMMOK!

U la taraha stenduta bla nifs fl-iqsar ħin għal taħt l-art, qalbek taħseb mod ieħor.

Żur, agħti rigal, ċempel, ibgħat kartolina, ieqaf, mur, kun hemm għax tajjeb jew ħażin hi ħadet ħsiebek. Minnu li hemm il-kummerċ u l-ward, rigal ifisser flus imma l-ferħ li jġib fl-omm, l-għarfien li uliedha għadhom iħossu, għad għandhom ħin għal dix-xwejħa, l-isptar jew d-dar, jiżboq kull rigal.

Hemm il-bniedem jintebaħ li għadu jħoss, hemm id-demm, hemm it-taħbit il-qalb. Tlaħħaq ma’ xiex, ma’ kemm u ma’ min? Jekk dawk li qattgħu ħin miegħek ta’ żgħir u ferħu u għenuk u issa li tinsab fuq saqajk tinsa, tiġi waqtek u ġġarrab l-istess.

Jum l-Omm jasal biex ifakkrek, biex jgħin bħal qanpiena ta’ knisja, bħal murtal iġibek f’siktek ta’ dak li suppost tagħmel mill-qalb, tagħmlu biex għallinqas ’il quddiem qalbek ma taqsamhiex.

Nifraħ lilek bħala Omm u Nanna!